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    Home Lifestyles 'Goosebumps' spooks 'Spies,' 'Crimson Peak' at box office
    ‘Goosebumps’ spooks ‘Spies,’ ‘Crimson Peak’ at box office
    Entertainment, Lifestyles
    October 18, 2015

    ‘Goosebumps’ spooks ‘Spies,’ ‘Crimson Peak’ at box office

    LOS ANGELES (AP) — Scare-seeking audiences preferred the family-friendly “Goosebumps” over the gothic horror of Guillermo del Toro’s haunted house pic “Crimson Peak” two weekends out from Halloween.

    Sony’s “Goosebumps,” based on the popular book series, earned $23.5 million out of the gates to take the first-place spot, while del Toro’s “Crimson Peak” languished at fourth with $12.8 million.

    “Goosebumps” also managed to beat “The Martian” by a hair, pushing Ridley Scott’s space adventure to the second-place spot for the first time in its three-week run with $21.5 million.

    Starring Jack Black as author R.L. Stine, “Goosebumps” cost a reported $58 million to produce. Audiences, 59 percent of whom were under the age of 25, gave the film a promising “A” CinemaScore, and reviews have been mostly favorable for the PG-rated pic.

    “It’s set up so well for not only this weekend, but for the rest of the fall,” said Rory Bruer, Sony’s president of worldwide distribution. “The word of mouth is just terrific. I think we were able to convey how much fun the film is for the entire family, no matter what their age.”

    The Halloween-timing didn’t necessarily help “Crimson Peak,” though. The Legendary film, distributed by Universal, failed to attract a significant audience in its debut. Those who did turn out gave the film a lousy B- CinemaScore.

    It’s one of del Toro’s lowest wide openings; 1997’s “Mimic” earned only $7.8 million in its first weekend in theaters.

    One of the issues is that the movie, starring Mia Wasikowska, Jessica Chastain and Tom Hiddleston, is rated R, and therefore has a more limited audience. Also, despite promises of a haunted house, the film, which cost a reported $55 million to produce, is more of a gothic romance than a classic horror.

    “It’s not a slasher movie, it’s not a PG-13 movie aimed at the date crowd. It’s more of a sophisticated movie,” said Paul Dergarabedian, Rentrak’s senior media analyst.

    “Del Toro has passionate fans for films that give this sort of approach to topics,” said Nick Carpou, Universal’s president of domestic distribution. In an exit poll, 45 percent of respondents said that they went because it was a del Toro movie. But that fandom, it seems, is limited in box-office impact.

    Also on the lower end, Steven Spielberg’s well-received cold-war thriller “Bridge of Spies,” meanwhile, debuted in third-place with $15.4 million from 2,811 theaters.

    Despite the PG-13 rating, audiences for the $40 million film starring Tom Hanks were overwhelmingly adult. An estimated 88 percent were over the age of 25, according to a Rentrak survey.

    “This is a movie that will have a very long life in theaters. Older audiences won’t rush out and may even wait until mid-week to see the film in theaters,” Dergarabedian said.

    “It’s a very solid start and is setting it up for a really great run overall,” said Dave Hollis, Disney’s executive vice president of distribution.

    “Bridge of Spies,” like other adult-themed films, will be playing the long game across the fall and the beginning of awards season.

    “We have to look at the fall movie season as a marathon, not a sprint like summer,” Dergarabedian said.

    “Beasts of No Nation,” meanwhile, failed to ignite a day and date revolution. The film, produced by Netflix, debuted simultaneously on the streaming platform and in theaters Friday. Its earned only $50,699 from 31 theaters for a lackluster $1,635 per theater average.

    Internationally, “Ant-Man” opened in China to $43.2 million, bringing its global take to $454.6 million. Disney recently announced that a sequel is in the works for 2017.

    Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Rentrak. Where available, the latest international numbers for Friday through Sunday are also included. Final domestic figures will be released Monday.

    1.”Goosebumps,” $23.5 million.

    2.”The Martian,” $21.5 million ($37 million international).

    3.”Bridge of Spies,” $15.4 million.

    4.”Crimson Peak,” $12.8 million ($13.4 million international).

    5.”Hotel Transylvania 2,” $12.3 million ($30.6 million international).

    6.”Pan,” $5.9 million ($14.4 million international).

    7.”The Intern,” $5.4 million ($11.3 million international).

    8.”Sicario,” $4.5 million ($3 million international).

    9.”Woodlawn,” $4.1 million.

    10.”Maze Runner: The Scorch Trials,” $2.8 million ($8.7 million international).

    ___

    Estimated ticket sales for Friday through Sunday at international theaters (excluding the U.S. and Canada), according to Rentrak:

    1. “Ant-Man,” $43.5 million.

    2. “The Martian,” $37 million.

    3. “Hotel Transylvania 2,” $30.6 million.

    4. “Goodbye Mr. Loser,” $22 million.

    5. “Pan,” $14.4 million.

    6. “Crimson Peak,” $13.4 million.

    7. “The Intern,” $11.3 million.

    8. “The Little Prince,” $10 million.

    9. “Maze Runner: The Scorch Trials,” $8.7 million.

    ___

    Universal and Focus are owned by NBC Universal, a unit of Comcast Corp.; Sony, Columbia, Sony Screen Gems and Sony Pictures Classics are units of Sony Corp.; Paramount is owned by Viacom Inc.; Disney, Pixar and Marvel are owned by The Walt Disney Co.; Miramax is owned by Filmyard Holdings LLC; 20th Century Fox and Fox Searchlight are owned by 21st Century Fox; Warner Bros. and New Line are units of Time Warner Inc.; MGM is owned by a group of former creditors including Highland Capital, Anchorage Advisors and Carl Icahn; Lionsgate is owned by Lions Gate Entertainment Corp.; IFC is owned by AMC Networks Inc.; Rogue is owned by Relativity Media LLC.

    ___

    Follow AP Film Writer Lindsey Bahr on Twitter at: http://twitter.com/ldbahr

    Tags:

    arts and entertainment entertainment general news movies
    LINDSEY BAHR

    The Bradford Era

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