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    Home Archives Ghana native, man of many credits, speaks at Pitt-Bradford
    Ghana native, man of many credits, speaks at Pitt-Bradford
    Archives
    March 29, 2007

    Ghana native, man of many credits, speaks at Pitt-Bradford

    By LOREN FERGUSON

    A man whose list of accomplishments and accreditations far
    outweigh the average human being was on site of the University of
    Pittsburgh at Bradford this week to discuss a wide range of topics
    from globalization to children’s literature.

    In addition to being an author, Dr. Gheysika Agambila, a native
    of Bolgatang, Ghana, is a certified public accountant, a certified
    fraud examiner, a former employee of Ernst & Young, Ghana’s
    former Deputy Minister of State in the Ministries of Finance and
    Economic Planning; Harbours and Railways; and Environment and
    Science and a professor at the Ghana Institute of Management and
    Public Administration, a full-fledged university of undergraduate
    and graduate students.

    Agambila received a bachelor of arts from Brandeis University, a
    master of business administration from the University of Rochester
    and a doctorate in public finance from New York University, but has
    never been to Bradford. That happened courtesy of his friend and
    UPB professor Dr. BioDun Ogundayo.

    “I come to the United States from time to time, but this is my
    first time in Bradford. The town is very beautiful; the rivers and
    mountains offer pleasant scenery,” said Agambila

    Agambila, author of Journey, an assigned reading for Ogundayo’s
    African literature course, has spent the past week in Bradford and
    spoke in three different forums on various topics on the UPB campus
    including globalization, the media in Africa and Journey.

    The man of many trades began his lecture series Tuesday when he
    spoke at a luncheon in the KOA Speer Electronics Lobby in Blaidsell
    Hall.

    Also on Tuesday, Agambila spoke to a Capstone communications
    class about the media and free expression in Africa, which the
    students found related to some of their other coursework.

    “In America, the media is a developed industry and is
    self-sufficient. There are schools that train people that allow
    them to choose media as a profession. When people can live well
    from what they are doing, the industry grows,” said Agambila.

    Countries that colonized Africa up until very recently
    established restrictions on media, so the push for a more
    democratic government and media to boot is a contemporary
    issue.

    “The freedom of expression that the media has depends mostly on
    the type of government in power in a given country. The development
    of the Internet has allowed for things to be published that might
    not normally be seen, but all in all, there are governments in
    Africa that are still very restrictive on what they will allow,”
    explained Agambila.

    Ghana, both his and Ogundayo’s native country, is this year
    celebrating its 50th anniversary of independence from colonial
    rule. Ogundayo stressed the importance of this when introducing
    Agambila to his African literature class Thursday.

    “It is not every day that students get an in-person visit from
    an author of a book they are assigned to read,” said Ogundayo.

    Journey is a book about “reality in contemporary Ghana,
    juxtaposing tradition and modernity, wise old age and frivolous
    youth, north and south and male and female,” according to Kari
    Dako, an author, translator and lecturer in the department of
    English at the University of Ghana.

    The students took advantage of having Agambila in the class by
    having him clear up some confusion about characters in the book,
    and meanings behind certain situations. He even got to hear one
    group give a short presentation on the book.

    “I’m nervous about having to present in front of someone. I
    don’t want to butcher this guy’s work,” said one student before
    class. There was some hubbub concerning the characters and how they
    were related to one another, which became clear when Agambila had a
    chance to speak.

    “There are some parallels between American and African culture,
    but we do refer to people differently. If I saw a male friend on
    the street, I might call him ‘brother,’ although we are not
    biologically related. In America, terms are defined much more by
    biology,” he explained.

    “People ask me if the book is autobiographical,” said
    Agambila.

    “When you write there are about four sources that you can get
    your information from: experience, what you’ve heard, what you’ve
    seen and imagination. You cannot write a book about making lasagna
    if you have never made lasagna. Of course there are elements of my
    experience in the book, but it’s not about me,” he continued.

    Ogundayo echoed Agambila’s remarks, saying, “Of all of the books
    that we read in my class, this one is very personal to me. I grew
    up in the setting in the book. I was a part of the town, the school
    – it reminds me of home,” he said.

    Ogundayo’s said he is mostly silent about the book because of
    his closeness to the subject matter, although he did admit to being
    a dining hall prefect at the school they both attended in
    Ghana.

    “You wanted to know the dining prefect,” joked Agambila.

    Agambila signed books for the students after class and
    apologized if they had trouble with some of the sprinklings of
    dialect that may have been hard for them to understand.

    “I never intended for the book to be widely read, so I am sorry
    if you had difficulty with it,” he said.

    Ogundayo explained, “Books are like bacteria: they spread around
    everywhere and people react to them differently.”

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