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    Home Archives David Cassidy met by screaming fans 30 years after debut
    David Cassidy met by screaming fans 30 years after debut
    Archives
    October 1, 2006

    David Cassidy met by screaming fans 30 years after debut

    By JUDY HOPKINS Special to The Era

    The shoulder-length shag haircut and puka beads may be gone, but
    the voice, the moves and the screaming fans are still very much a
    part of a David Cassidy concert.

    That was evident to anyone who saw Cassidy in the opening show
    of the Bradford Creative and Performing Arts 2006-07 season
    Saturday in Blaisdell Hall’s Bromeley Theatre on the University of
    Pittsburgh at Bradford campus. Northwest Savings Bank was the
    presenting sponsor for the event.

    Cassidy, dressed in a long white shirt and black pants, walked
    out to enthusiastic applause, looking as lean and lithe as he did
    in his heyday. He opened with “I can Feel Your Heart Beat,” a song
    he made famous as a member of the 1970s “pre-fab” musical group,
    The Partridge Family, spun off from a TV show of the same name.

    “It’s so wonderful to be here in the fine town of Bradford,” he
    told the capacity crowd that can best be described as doting and
    interactive. “Although it only takes 17 hours to get here from
    anywhere in the world.”

    Backed by a tight four-piece band and accompanying himself on a
    bright red electric guitar, Cassidy followed up with another
    Partridge Family hit, “Point me in the Direction of
    Albuquerque.”

    A 13-year-old girl in a tank top emblazoned with Cassidy’s name
    was the first of what would be a constant stream of female fans of
    all ages approaching the edge of the stage to lavish Cassidy with
    bouquets of roses and other gifts in exchange for a photo or
    kiss.

    And oblige his fans he did, often interrupting songs to talk to
    his fans, pose for cell phone photos and sign autographs as if it
    were 1972 all over again.

    “This is a beautiful theatre,” he said, comparing it to being in
    his living room. “I don’t often work in small theaters, but when I
    heard about the … support for this facility,” he said, “I had to
    come. It’s great when communities get together.”

    The concert was more than a fan fest, though. During the
    two-hour performance, Cassidy showcased his versatility as a singer
    and musician that has won him accolades and devoted fans not only
    on the world’s concert stages, but also on Broadway and in Las
    Vegas. He had a chance to feature his expressive voice on cover
    hits he’d had with The Rascals’ “How can I be Sure,” Neil Sedaka’s
    “Breaking up is Hard to do” and The Association’s “Cherish.” At
    times, he punctuated his performance with a few signature moves
    that sent his female fans into a frenzy.

    “It took me long enough to get here, so I’m staying here a
    while,” he told the crowd, joking again about the 90-minute trip
    from the Buffalo, N.Y., airport that turned into three hours after
    the “trains, road work and rain” was figured in.

    “He’s beautiful, and his voice is beautiful,” said Linda
    Pascarella of Bradford, brandishing a photo of herself and Cassidy
    taken a decade ago when she had seen him in the Broadway musical
    “Blood Brothers.”

    Other fans came from Boston, New Jersey and New York to see
    Cassidy in the intimate setting. Devoted fan Cheryl Gilmore even
    flew in from Dallas to see his show. “This is the fifth time I’ve
    seen him,” she said. “I forgot my license so when I picked up the
    tickets, the only thing I had to identify myself was my David
    Cassidy Fan Club I.D. card.”

    Cassidy also played without his band, accompanying himself on
    his acoustic guitar and singing songs like “Ain’t No Sunshine” and
    his 1990 comeback hit, “Lyin’ to Myself.”

    During this time, he acknowledged a fan’s gift of a
    4-foot-by-3-foot portrait painted by a fan in the first row, Kim
    Kamrowski, who traveled six hours from Fremont, N.Y., to present
    the gift to her idol.

    “Who’s that handsome dude?” Cassidy joked when he saw the
    painting, then expressed his appreciation for the heartfelt gift.
    “Such wonderful fans,” he said.

    Kamrowski told the star she did it to thank him for all the
    charity work he and his wife do. “I wanted to give back to you,”
    she told him.

    Cassidy said he would autograph the painting and,
    unsurprisingly, donate it to charity.

    Also during his acoustic set, Cassidy mentioned his friendship
    with John Lennon, saying he spent New Year’s Eve 1974 with him,
    singing and playing old Beatles songs, like “No Reply.” He led the
    crowd in a singalong with the Beatles tune “Hey, You’ve Got to Hide
    Your Love Away,” showing good-natured exasperation when the crowd
    had some trouble learning how to sing on the backbeat.

    “This kind of feels like home to me,” he said, telling the crowd
    he’d received the “coolest Zippo lighter you can imagine” earlier
    that day. He launched into his final set that featured a scorching
    electric guitar blues solo from Cassidy. He then did rock versions
    of the Partridge Family hits “I Woke up in Love This Morning” and
    “C’mon Get Happy,” proving that a good melody was nothing if not
    adaptable.

    But it was during the last song – when he bent down to kiss the
    female fans edging the stage – who were decked out in everything
    from “Kiss me Cassidy” T-shirts to cocktail dresses – that his
    anthem, “I Think I Love You,” turned into a full-fledged commitment
    to his loyal fans.

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